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River Rats by Caroline Stevermer. I almost always go into books completely blind. I read the summary when deciding if I should get a copy or not, but they sit on my Kindle for years before I read it, so I usually forget all about it. I can't even get clues from the cover, because they're so tiny and black and white. In this case, I'm really glad I went into it without knowing anything.

The story is set after the world ends, with no details in the plot as to how it ended. It was called the Flash, which made me think nuclear war, but there were no effects of radiation, so I thought it had to be something else.

The main characters are a group of young teenagers. They live on and control a riverboat moving up and down the Mississippi river. They deliver mail and sing/play music to trade for the supplies they need.

One day they saw an "old man" (40s or so) being chased. He leaped into the river (which is now poisonous, even one swallow could kill someone). They pulled him out and rescued him. This lead into the book's whole plot, that the adult (named King) was being chased by an evil family for knowledge he had.

There were many things about the book I enjoyed. Though it was a YA book, there was a whole layer of detail that kids wouldn't pick up on (the family chasing King would have kidnapped and raped the teenage girl crew member if they could have, but the details about that were really subtle so young readers would miss it).

Unfortunately he book had a bunch of issues. From small ones (like editing issues, random italics here and there, a bunch of random single quote marks and commas just sprinkled through the text) to much bigger ones.

The biggest issue was that the teenage crew (only 5? 6? kids) had zero characterization. At most, they had one single trait (the smart one, the girl with a boy's name, the one with choppy hair). Even at the end of the book, I'd see one of the kids' names and have to stop and wonder which one it was.

The biggest personal issue I had with the book is that it would have been so much better if it had been told from King's POV instead of from the kids'. I was just dying for more information about him, more background on him, to know what he had been doing since the world ended, to have seen it all happen through his eyes. I know this is a YA book, and usually I like those, but it would have been such an amazing story if the author had just written it from King's POV instead.

And as for why it was better going into it blind (also, spoiler in the next paragraph:

I had guessed right, the Flash was a nuclear war. Which, once I was done with the book, really annoyed me. If a nuclear war happened maybe 20 years ago, people wouldn't be walking around just perfectly fine.

I really love the cover I linked above, though it's not the one of the version I read. This book was published in 1992, so it's had a bunch of different covers, most of them quite nice. My version is the last one:



Edit: If it sounds like I didn't enjoy the book, I actually did really like it. It just felt like a missed opportunity -- if it had been from King's POV, it would have been even better.

DNF

71) Stowaway by Matt Phillips. When you're not the target audience of a book, you can't criticize it for not being a good match for you. This was the author's first book and self-published. It was way too simple for me to be interested in, but maybe young boys might enjoy it. I assume the main character stowed away on a spaceship, but I didn't get far enough into the story to see.

72) Alien Rain by Ruth Morgan. Usually I DNF books pretty early on, but I got a third of a way through this book before giving up on it. Set on Mars, Earth was too messed up for people to live on anymore. Even though people have been living on Mars for many, many generations, the biggest thing everyone wanted was to go back to Earth. I had a lot of trouble buying that logic; my father's parents brought him to America, and I have zero desire to go live in Germany -- America is what I know, it's my home country. It's possible there could be a difference between moving to another country and moving back to Earth, but the logic just didn't work for me.

Once I realized I didn't care about any of the characters (and their teenage drama) and I wasn't at all curious about the mysteries the plot tried to set up, I DNFed it.
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Stowaway by John David Anderson. This author is SUCH a good writer. This was a middle grade book, and yet it was so enjoyable to read. Nothing with him is black/white -- characters and situations are always grey.

Set in the very near future (30 years from now), aliens arrive. They invite us into the "Coalition" (which sounds a lot like the Federation, huh? Anderson is a scifi fan and again and again it shows in good ways). The Coalition (the seemingly good guys) are fighting the (seemingly) bad guy aliens. The main character (Leo, a young boy), loses his family and spends most of the book on a space pirate ship trying to get them back.

I love how he shows that war is complex. There are no good guys or bad guys. Everyone has their own reasons, both sides consider themselves the good guys.

I was so sorry when this one ended. I wish the second book in this new series was out already.

20) Wolfsong by Ignatz Dovidāns. I went to Amazon to refresh myself on what the plot was and why I stopped reading it. Instead of writing something myself, I will inflict the worst review ever on you all.


21) The Familiars by Adam Jay Epstein. I can't criticize a book aimed at very young readers for being immature. The story was simple and very predictable. The characters were generic. In it a street cat is mistaken for a wizard's familiar and-- well, the "talking animal" part of the story got very light at that point as the plot's focus moved onto the three young kids (who of course had a destiny). Even with the simple, predictable plot, I might have stuck with it if the focus had stayed on the animals... even though there were a ton of logic issues (like a cat, bird, and frog traveling together for days, and the frog being able to keep up with the other two just fine).

22) United Cherokee States of N'America by Bob Finley. Books for adults take me about 8 hours to read, YA books about 6 hours. This one clocked in at 30-something hours (and it's not an omnibus). Assuming you could accept the most unrealistic main character ever (he knew everything. Literally everything in the world. He could answer every question asked of him, on every subject, no exceptions.), the story started out okay. End of the world was coming, and of course he knew that and started prepping. Based on the 30+ hour read time, it should surprise no one when I say he needed an editor badly. So so so badly. So many needless, pointless information dumps. Not even about the plot, but US history, history of the planet, etc. Each time he started one, I skimmed 10+ pages until it ended, then the plot lasted a couple pages before he dumped more info about some subject. If somehow I could have pulled the plot out of the book and left the random info behind, I might have finished it.

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